Archive for the POC Pinoy LGBT channel Category

Queering the #Oscars2015 show

Posted in Oscars, POC Pinoy LGBT channel, queer cinema, queer issues in film on March 16, 2015 by leaflens

I don’t know about you but I wasn’t so happy with the Academy Awards this year. Aside from Neil Patrick Harris having some lame-o jokes na kailangan pang i-explain, the whole show did away with some of the add-ons that make the Oscars the Oscars in previous years. Like for instance, each award should have some good introductory number kyeme aside from the humorless humor intro spiels of presentors. Previous years had special numbers or features inserted in the categories to explain their nature. But yeah, alas, alam ko kokonti lang kaming mga adik sa Academy Awards ang makaka-getlak nitey.

Heniweys hemingway, that’s not the reason for this post. This is: my article post-Oscars on why we queers should kinda care about these things.

Here’s an excerpt:

Queering the Oscars: Why we should kinda care

And this is why we look at seemingly “shallow” avenues like cinema or the Oscars: because when these Hollywood dream factory-makers make films about LGBTs, we have to know how they craft such stories. Because those of us who will be consuming such products will digest these stories about us, infusing our own dreams with images that might scare us or strengthen us. Do we want to be frightened or do we want to be enlightened? What is the price of entertainment? The yearly Oscars race might be but one of the many races we could see the likes of us represented or neglected. But film’s popularity as a mass medium is very potent for spreading truths and lies about us, and cementing those truths or lies with awards will always be our concern – in any given field.”

To read the whole article, click here. I wrote the article as part of my monthly contributions for the Philippine Online Chronicles’ Pinoy LGBT section.

Needless to say, I was also underwhelmed by the wins and the nominated films. Wanted to do a lot of reviews but I didn’t feel like it na after watching the show. Oh well papel, maybe someday let’s see…

In the meantime, just relax and watch a movie na lang ulit tayo k. K.

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MMFF 2013: MY LITTLE BOSSINGS

Posted in dramedy film, film festival, MMFF, Philippine Cinema, Philippine film industry, POC Pinoy LGBT channel, queer issues in film on December 31, 2013 by leaflens

Again, I was thinking of making a thorough cinematic review of this film but I deemed it fit to be part of my bunch of MMFF December articles for the Phil. Online Chronicles’ Pinoy LGBT channel instead. That’s because the film serves a double plus plus for the queer community via the character played by Aiza Seguerra and the citation that she received because of it.

Yes, that is a big deal. Because this film has, in my opinion, the best characterization of a lesbian in Philippine cinema in recent history. And we all know that that’s so rare, right? As rare as a butch to butch relationship here. That rare. Basta.

An excerpt:

mylittlebossing lezfamPero kahit ganito pa man kaintriga at kapalasak ang mga napapag-usapan minsan sa taunang MMFF, di natin maikakaila na bahagi na rin siya ng buhay Pinoy ilang dekada na rin. At dahil bahagi siya ng buhay Pinoy, ikinatuwa kong naisama rin ang LGBTQ kahit papaano sa buhay Pinoy na ito. At mas ikinatuwa ko pa lalo nang nakita nating lahat ang suporta sa isang kauri ngayong taon – ang pagpapahalaga sa katauhan at karakter ng isang lesbiyana sa pinilakang tabing at sa labas nito. Ito ang pagbibigay nila ng award bilang Best Supporting Actress kay openly out queer singer-actress Aiza Seguerra para sa ginampanan niyang role sa isa sa mga festival films.

Read the rest of my review here – “Our Little Bossing that could: Isang pahabol na pagpapahalaga sa lesbiyana.”

 

MMFF 2013: The queer overview

Posted in film festival, MMFF, Philippine Cinema, POC Pinoy LGBT channel, queer cinema, queer issues in film on December 31, 2013 by leaflens

Each year, I try to do a summary of the MMFF films and see how the LGBTQ community was mentioned, referred, treated or depicted in these films. It’s part of my duty as a contributing writer for the Pinoy LGBT channel of Phil. Online Chronicles.

This year, it’s quite amusing to note that there is one film with a very vocal queer component and of course there are openly out queer actors who are playing roles in some of these films. I’ve already said my piece about GIRL BOY BAKLA TOMBOY but I still mention it a bit in this summary. So I looked closely at the other films that mattered in this context, namely BOY GOLDEN, KIMMY DORA and PAGPAG.

I also included a bit of MY LITTLE BOSSINGS but I found that I should do a whole article about that, especially since Aiza Seguerra won an award for her role there. As to why it merits its own article, just read it here.

An excerpt of the queer overview:

mmff2013B_entriesSa taunang ritwal na nakasanayan na ng karamihan sa mga Pilipino tuwing panahon ng Pasko, muli na naman tayong makikisilip sa Metro Manila Film Festival (MMFF) para tingnan kung paano isinabuhay ang mga buhay-buhay ng ilang miyembro ng LGBTQ community sa pinilakang tabing. Dito din natin nasisilip kung paano tayo tinatrato o isinasaalang-alang ng mga manggagawa ng pelikulang Pilipino, kung ang trato ba ay makatao, katatawanan lamang o may konting progresibong pagbabagong nasisilip.

Read the rest of the article here.

Let this be your guide. Happy viewing!

MMFF 2013: GIRL BOY BAKLA TOMBOY

Posted in comedy film, film festival, MMFF, Philippine Cinema, POC Pinoy LGBT channel, queer cinema, queer issues in film on December 27, 2013 by leaflens

Well, I’m not really sure if I will do a very thorough analysis of GIRL BOY BAKLA TOMBOY for this space like what I did with 10000 HOURS in my previous post — unless you want me to heheh. Hm esep-esep pa ko k.

But anyway, I already wrote something from a queer advocate’s point of view that was posted in the Pinoy LGBT channel of Philippine Online Chronicles so check it out there na lang muna, for starters.

An excerpt:

GBBT posterAng simple lang ng kuwento, kung tutuusin. Wala namang bago rito. Pero nakakabahala para sa mga tulad naming patuloy na itinataas ang LGBTQ pride dito sa Pilipinas kung hihimaying mabuti ang pelikulang ito at ang mga sinasabi niyang mensahe sa mga manonood.

Una, nabahala ako nang sinabi ni Girl ‘yung linyang “that fag twin brother” nung galit na siya sa pagtataray at pagpapahirap sa kanya ni Bakla. (Fag talaga? Ikaw na laking Amerika, di mo natutunang kapag sinabi mo ang fag ay mapapaaway ka?) At para gantihan ito, ang naisip ni Girl na gawin ay agawan ng love life si Bakla dahil sa analysis niya, sa totoong babae pa rin naman papanig ang isang straight na lalaki, kahit na parang nagkakaigihan sila ng Bakla niyang kakambal. Sa lahat naman ng paraan ng pagtira, talagang kailangang bumaba sa level ng straight girl vs. effeminate gay ang peg? Parang hindi ito nakakatuwa. Eto, dito tayo talo sa laro.

Read the whole article here. Basically, the article enumerates majority of  the reasons why I didn’t vote for this film to be on my shortlist sa aking jury duty sa MMFF Most Gender Sensitive Film Award last week.

I repeat: I didn’t vote for this film, k? As for my top 1 vote (or tie for top 2 rin pala), I’ll write the reviews of that in the coming days na lang, k? Suspense na lang kung ano sila at the moment hehe. K?

K.

P.S. So pinanood niyo na ‘yung 10000 HOURS? Anubeh! Gora watch!

Roll cam, roll life

Posted in cinema studies conference, Cinemalaya, digital film, Oscars, Philippine Cinema, POC Pinoy LGBT channel, takilya life on November 2, 2012 by leaflens

Did you miss me? I know you did. Aminin!

Life was just sweepingly hectic in more ways than one. But since this hibernation break, I thought of blogging more in order to get back on track.

 

Teaching teachers how to tackle theatrical trailers. Teh totoo ‘to! [October 2012 Pagadian City]

But before I do that, I’ll ease into it a bit. I actually wrote some stuff which are film-related and are now out — but in other venues.

 

My editor at Philippine Online Chronicles’ (POC) Pinoy LGBT Channel asked me to review the Philippine Oscars rep this coming year, the recent Cinemalaya entry BWAKAW written and directed by Jun Lana.

My review appeared there in POC since the film is about this aging old gay man.

Here is that review. Seriously, I think this time, we have a contender.

Read up why.

 

 

And then, a paper that I have written early this year, presented in a cinema studies conference in Hong Kong last March, is now officially published in the Kritika Kultura ejournal. The journal has a special issue of Ishmael Bernal’s MANILA BY NIGHT and I was invited to submit a paper. I wrote about the lesbian character of Cherie Gil and intersected that with the genderqueer identity. It’s entitled “To conform or not to conform, that is the genderqueer question: Re-examining the lesbian identity in Manila By Night.” That paper is available here. The rest of the journal’s issue is here and could be downloaded as a pdf file like my paper. Enjoy cinema geeks!

Genderqueering academia. Story of my persecuted queer scholarly life. Hahaha don’t ask! Offer me beer and I will do tell. Charaught! [March 2012 Hong Kong University]

Yes, I have been busy. No, film-watching and critiquing were not forgotten, just overtaken by other avenues. But I promise that now, it will be back here again, ready for more.

Okay roll cam!

Film whiz whizzing wishes

Posted in Cinemalaya, Philippine Cinema, Philippine film industry, POC Pinoy LGBT channel, queer issues in film on August 3, 2012 by leaflens

Not that I haven’t been watching films — I have been watching lots, actually — but I have been reluctant to say things about them. I don’t know why. Must be the weather.

But you can take a peek at the film-related articles I have been writing for Philippine Online Chronicles’ Pinoy LGBT channel where I regularly contribute. Of course they are queer-centric but still, they intersect with movies and filmmaking so it might be worth your interest.

I will be back in reviewing films in this space soon. In the meantime, enjoy these:

Si Pidol sa pelikula ng sangkabaklaan part one and part two written during the comedy king’s demise. Also discussing some controversial issues there.

My Cinemalaya 2012 salvo-ish take on the gay depictions and transwomen discourse in some films I saw.

 

Queering Cinemalaya 2011

Posted in Cinemalaya, indie films, POC Pinoy LGBT channel, queer cinema on September 1, 2011 by leaflens

In the interim, here’s a recap of queer representations at the Cinemalaya 2011, an  article I wrote for POC Pinoy LGBT channel.

Independently-produced digital full-length films were showcased last July 2011 at the seventh Cinemalaya Film Festival at the Cultural Center of the Philippines (CCP) which were also shown at the University of the Philippines’ Cine Adarna theater inside the Diliman campus during the early part of August. Aside from the Cinemalaya film grantees, there were also different categories showcasing locally produced independent digital films, such as the 10 films featured under the NETPAC series, or the Network for the Promotion of Asian Cinema. There were also a few films outside of such categories which premiered during the said festival.

I was able to catch a few of these films and I was intrigued by the queer representations I saw in most of the films I saw. There were a few hits and misses but there were also quiet gems, while a few begged to be read as queer, in a manner of speaking.

Read the rest here.

 

Later na ang ibang film reviews. Yes, we will review again. Soon. Pahupain lang ang docu shoot ko, hane? Pagoda coldwave lotion pa lola niyo.

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